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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
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      • Virtual Training School
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    • FAQ
    • Copyright and Disclaimer Notice
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    • Peter J Knight
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    • Content Release
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    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Author Archives: Bolaji O

Interview: Director Martin Campbell Discusses the Liam Neeson Action Thriller Memory
6 May 2022

Interview: Director Martin Campbell Discusses the Liam Neeson Action Thriller Memory

by Bolaji O | posted in: All News | 0

ComingSoon’s Jeff Ames was able to speak with acclaimed director Martin Campbell about his new action-thriller, Memory. The film, which releases this week in theaters, stars Liam Neeson, Guy Pearce, Monica Bellucci, and Ray Stevenson. “When Alex, an expert assassin, … Continued

Can the Cinematic Drama Survive in the Modern Era?
6 May 2022

Can the Cinematic Drama Survive in the Modern Era?

by Bolaji O | posted in: All News | 0

House of Gucci’s relative failure speaks to a larger issue surrounding historical dramas in cinemas; in an era where blockbuster franchise films that capitalize on nostalgia dominate the box office (and media attention), can smaller historical dramas find success in … Continued

National Museum of Indian Cinema to host film festival on Satyajit Ray’s birth anniversary
6 May 2022

National Museum of Indian Cinema to host film festival on Satyajit Ray’s birth anniversary

by Bolaji O | posted in: All News | 0

On the 101st birth anniversary of Satyajit Ray, the National Museum of Indian Cinema, Mumbai under the Union Information and Broadcasting ministry will host a three day film festival at various venues across India to screen films made by the … Continued

Indian director Rajamouli scores a global hit with new film RRR
6 May 2022

Indian director Rajamouli scores a global hit with new film RRR

by Bolaji O | posted in: All News | 0

“I only know big emotions,” says SS Rajamouli, currently India’s most commercially successful film director. Rajamouli, who makes films in Telugu, a language spoken in the southern Indian states of Andhra Pradesh and Telangana, is talking about his latest blockbuster … Continued

David Awards Signal Shift in Generations and Genres in Cinema Italiano
6 May 2022

David Awards Signal Shift in Generations and Genres in Cinema Italiano

by Bolaji O | posted in: All News | 0

As they celebrate being held as a physical event, Italy’s upcoming 67th David di Donatello Awards epitomize the ongoing shift in generations and genres that is underway in Cinema Italiano.Leading the pack this year are seasoned auteur Paolo Sorrentino’s most … Continued

‘Bombay Cinema’s Islamicate Histories’: Our transcultural cinema
6 May 2022

‘Bombay Cinema’s Islamicate Histories’: Our transcultural cinema

by Bolaji O | posted in: All News | 0

THE transportation, mutation and convolution of the Alibaba fable in Indian cinema is noteworthy. It testifies to an extraordinary transcultural collaboration — the DNA of the story, Indianised by the pioneer Parsi theatre owners, film producers and financers, has traces … Continued

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