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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Cinema Technology

The vintage film format VistaVision makes a comeback in Hollywood
23 Feb 2026

The vintage film format VistaVision makes a comeback in Hollywood

by Bolaji O | posted in: All News, Cinema Technology, Film production | 0

Two of this year’s top contenders for the Academy Awards were filmed using a technology from the 1950s: VistaVision. Filmmakers are reviving this visually stunning yet finicky film format at a time when movie theaters are struggling to get audiences … Continued

NPR
Did Sony Just Build a Cinema Friendly Sensor By Accident?
23 Feb 2026

Did Sony Just Build a Cinema Friendly Sensor By Accident?

by Bolaji O | posted in: All News, Cinema Technology, Sony | 0

One week, Sony talks about a 50 MP flagship smartphone sensor. Now it announces a 5 MP sensor with massive 2.9 µm pixels. Something interesting is happening. Earlier this month, we analyzed Sony’s push into higher resolution mobile imaging in … Continued

Meet Forza’s Flagship Sensor: 4K, 1,100 FPS, Global Shutter
23 Feb 2026

Meet Forza’s Flagship Sensor: 4K, 1,100 FPS, Global Shutter

by Bolaji O | posted in: All News, Cinema Technology, Companies, Products | 0

The sensor captures a native resolution of 3840 × 2160, which is true 4K. It uses a 5-micrometer backside illuminated pixel and a voltage domain global shutter design built in a 65-nanometer process. While it is primarily targeted at machine … Continued

AV Interview: Amnon Harman + Jaakko Kaivonen, d&b group
16 Feb 2026

AV Interview: Amnon Harman + Jaakko Kaivonen, d&b group

by Bolaji O | posted in: All News, AudioVisual, Cinema Technology, Companies, Immersive Media, Industry, Interviews | 0

Phil Ward talks to Amnon Harman, outgoing CEO at d&b group, and incoming CEO Jaakko Kaivonen about the company’s evolution, from changes to company culture to a whole new department dedicated to immersive technology. Source: AV Interview: Amnon Harman + … Continued

From FX30 to VENICE 2. Sony’s Cinema Line Strategy Is Now Fully Defined
16 Feb 2026

From FX30 to VENICE 2. Sony’s Cinema Line Strategy Is Now Fully Defined

by Bolaji O | posted in: All News, Cinema Solutions, Cinema Technology, Products, Sony | 0

Sony’s latest Cinema Line chart reveals something important. The entire ladder is now visible, from the FX30 at the bottom to the VENICE 2 at the very top. When you look at it as a whole, it becomes clear that … Continued

Sony
Is 44MP the Sweet Spot for 2026 Hybrid Shooters?
16 Feb 2026

Is 44MP the Sweet Spot for 2026 Hybrid Shooters?

by Bolaji O | posted in: All News, Cinema Technology, Cinematography, Craft | 0

In 2026, the full-frame hybrid camera segment is starting to look less like a spec race and more like a workflow decision. Resolution is climbing, 8K is becoming normal in flagship hybrids, and creators are paying closer attention to what … Continued

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