formerly Mad Cornish Projectionist.
Although both cameras are defined as cinema cameras, and both of them produce stunning imagery, the price difference is huge (BURANO is tens of times more expensive). However, would you notice the difference in image quality? Source: BMCC6K Vs. Sony … Continued
The Cine 1 may be Leica’s first foray into home cinema projection, but it’s hardly this prestigious German company’s first rodeo. In fact, Leica has been at the forefront of camera design since its inception nearly a century ago. In … Continued
Sony has launched a 247-megapixel medium-structure sensor named IMX811-AAQR, sparking a great deal of rumors and dialogue. Sony’s announcement has introduced on pretty a stir with many hoping to see a Sony medium format digicam. With 247 productive megapixels manufacturing … Continued
Sony introduced the BURANO camera to its esteemed CineAlta lineup, marking a significant advancement in digital cinema technology. Designed for flexibility in single-operator and small crew settings, BURANO integrates high-quality imaging with ease of mobility. This innovation stands out as … Continued
At this point, I have to ask: have we entered a new era of global shutter sensors? After our Sony a9 III Lab Test, we now have the new RED V-RAPTOR [X] 8K VV in our CineD lab. Using a … Continued
This item just went under the radar. It appears that a few months ago, Xelmus, which specializes in X2 affordable anamorphic lenses for full-frame cameras, introduced a new and very interesting lens — the X2 APOLLO 24mm t2 which covers … Continued