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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Cinematography

8K vs 18K | Sydney cinematographer pushing technology at home and Hollywood
2 May 2024

8K vs 18K | Sydney cinematographer pushing technology at home and Hollywood

by Bolaji O | posted in: All News, Australia, Cinema, Cinema Technology, Cinematography | 0

Pawel Achtel doesn’t film with any ordinary camera.The Sydney-based cinematographer has invented his own; something smaller than an IMAX camera that packs an even greater punch.”The camera films in over 18K,” Achtel told 9news.com.au. Source: 8K vs 18K | Sydney … Continued

technology
Dune Part Three: Will Be Shot With the New IMAX Film Cameras?
25 Apr 2024

Dune Part Three: Will Be Shot With the New IMAX Film Cameras?

by Bolaji O | posted in: All News, Cameras, Cinema, Cinematography, Film production | 0

Dune Part Three is a go! And just in time to try out the new 2nd generation of IMAX film cameras. Part One was shot on the ALEXA LF. Part Two was shot on the ARRI 65. Thus, Part Three … Continued

Blackmagic Steals the Show at NAB: Launching Two High-End Cinema Cameras
17 Apr 2024

Blackmagic Steals the Show at NAB: Launching Two High-End Cinema Cameras

by Bolaji O | posted in: All News, Cameras, Cinema, Cinema Technology, Cinematography | 0

Grant Petty knocked it out of the park. Blackmagic dropped a bombshell at NAB 2024, announcing not one, but two(!) high-end super-specs full-frame cinema cameras. Meet the URSA Cine 12K Camera and the PYXIS 6K Cinema Box Camera. Source: Blackmagic … Continued

NAB
Arri Introduces L-Series Plus
10 Apr 2024

Arri Introduces L-Series Plus

by Bolaji O | posted in: All News, Cameras, Cinema, Cinematography, Product Launch | 0

The new line introduces enhanced connectivity and features the onboard control interface of the Arri SkyPanel. Source: Arri Introduces L-Series Plus – The American Society of Cinematographers (en-US)

Greig Fraser Lights Up Dune Part Two: Blending Analog Charm with Digital Spectacle
6 Mar 2024

Greig Fraser Lights Up Dune Part Two: Blending Analog Charm with Digital Spectacle

by Bolaji O | posted in: All News, Cinema, Cinematography | 0

Explore how Greig Fraser blends analog and digital in Dune Part Two, creating a timeless cinematic experience that redefines storytelling. Source: Greig Fraser Lights Up Dune Part Two: Blending Analog Charm with Digital Spectacle

Meet Cybertron: The FPV Drone Behind Transformers 7
27 Dec 2023

Meet Cybertron: The FPV Drone Behind Transformers 7

by Bolaji O | posted in: All News, Cameras, Cinema Technology, Cinematography, Film production | 0

Telling the truth, this info surprised us. We thought that the recent Transformers 7 movie (Rise of the Bests) was shot on the ALEXA Mini LF, but it appears that the RED Komodo played an essential role in shooting those … Continued

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Media | Cinema | Projection, MCP and Mad Cornish Projectionist Services are all trading styles of Peter J Knight

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