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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
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    • Peter J Knight
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    • Flix – Loughborough Student Cinema
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    • Cinema Information
    • Cinema Organs
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    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

IMAX

IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”
17 Apr 2024

IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”

by Bolaji O | posted in: All News, Cinema, Companies, IMAX | 0

Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à Deux”) will also be screened in 70mm theaters. However, it was shot digitally on the ARRI ALEXA … Continued

IMAX
How Dolby Cinema Compares To IMAX, Straight From A Dolby Exec
10 Apr 2024

How Dolby Cinema Compares To IMAX, Straight From A Dolby Exec

by Bolaji O | posted in: All News, Cinema, Cinema Solutions, Cinema Technology, Companies, Dolby, IMAX | 0

Moviegoers have undoubtedly heard of IMAX. They probably associate it with a premium cinematic experience. It’s a format that was mentioned a lot in discussing the success of Christopher Nolan’s “Oppenheimer” last year, a movie that ended up making nearly … Continued

Imax Sees Fourth Quarter Earnings Edge Down
29 Feb 2024

Imax Sees Fourth Quarter Earnings Edge Down

by Bolaji O | posted in: All News, Business, Companies, IMAX, Media | 0

Overall quarterly revenue came to $86 million, down 12 percent from a year-earlier $98 million, as ‘Aquaman and the Lost Kingdom,’ ‘Taylor Swift: The Eras Tour’ and ‘Wonka’ played on its screens. Source: Imax Sees Fourth Quarter Earnings Edge Down

IMAX: PVR INOX elevates Mumbai cinema with city’s first standalone IMAX with Laser theatre experience
15 Feb 2024

IMAX: PVR INOX elevates Mumbai cinema with city’s first standalone IMAX with Laser theatre experience

by Bolaji O | posted in: All News, Cinema Theater, IMAX, India | 0

PVR INOX, India’s leading cinema exhibitor, has unveiled its first standalone IMAX with Laser theatre at INOX EROS in Mumbai, marking a significant upgrade to the iconic EROS cinema. With a seating capacity of 305, the theatre promises an immersive … Continued

first, IMAX, Mumbai
Dune: Part Two: Dune: Part Two’s IMAX 70MM release plan unveiled following Oppenheimer’s blockbuster success
31 Jan 2024

Dune: Part Two: Dune: Part Two’s IMAX 70MM release plan unveiled following Oppenheimer’s blockbuster success

by Bolaji O | posted in: All News, Film production, IMAX | 0

As the highly anticipated Dune: Part Two approaches its release date on March 1, the film’s IMAX 70mm plan has been officially disclosed, promising an immersive visual experience. Following the record-breaking success of Oppenheimer, visionary director Denis Villeneuve aims to … Continued

Imax Delivered $1.06B 2023 Global Box Office, Near 2019’s Record $1.1B Year
9 Jan 2024

Imax Delivered $1.06B 2023 Global Box Office, Near 2019’s Record $1.1B Year

by Bolaji O | posted in: All News, Box Office, Cinema, IMAX | 0

Christopher Nolan’s ‘Oppenheimer’ and Taylor Swift’s concert film helped drive the rebound in ticket sales coming out of the pandemic. Source: Imax Delivered $1.06B 2023 Global Box Office, Near 2019’s Record $1.1B Year – The Hollywood Reporter

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