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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Craft

Kodak Is in Trouble: But Cinema Still Needs It
18 Aug 2025

Kodak Is in Trouble: But Cinema Still Needs It

by Bolaji O | posted in: All News, Business, Cinema, Cinema Solutions, Cinema Technology, Companies, Craft, Kodak | 0

Even in a digital-dominated era, the lure of celluloid endures, vibrant, tactile, and timeless. For top directors and cinematographers, shooting on Kodak film is more than a technical decision. It’s an artistic commitment, a visual signature, and for many, an … Continued

The Cameras of Emmys 2025: Sony VENICE Rules, DJI Ronin 4D Surprises
18 Aug 2025

The Cameras of Emmys 2025: Sony VENICE Rules, DJI Ronin 4D Surprises

by Bolaji O | posted in: All News, Cinema Technology, Craft, Production | 0

The 2025 Emmy Awards have once again highlighted the tools behind television’s most cinematic moments. Looking across all 20 nominated productions, we see a fascinating balance between long-established champions like Sony and ARRI and some unexpected entrants (DJI Ronin 4D) … Continued

Will AI make language dubbing easy for film and TV?
18 Aug 2025

Will AI make language dubbing easy for film and TV?

by Bolaji O | posted in: AI, All News, Craft, Film, TV | 0

The audio and video of a recent film, Watch the Skies, a Swedish sci-fi film, was fed into a digital tool called DeepEditor.It manipulates the video to make it look like actors are genuinely speaking the language the film is … Continued

TV
Raanjhanaa to Ramayana, AI is quietly reshaping Indian cinema
11 Aug 2025

Raanjhanaa to Ramayana, AI is quietly reshaping Indian cinema

by Bolaji O | posted in: AI, All News, Craft, Film, India, Industry | 0

From giving old hits new endings to reinventing epic sagas, generative AI is changing filmmaking in ways that are both inspired and unsettling. Source: Raanjhanaa to Ramayana, AI is quietly reshaping Indian cinema – The Times of India

AI, India
What It’s Like to Be a Cinematographer: Jessica Arzate on Film, Digital, and Finding Her Voice
4 Aug 2025

What It’s Like to Be a Cinematographer: Jessica Arzate on Film, Digital, and Finding Her Voice

by Bolaji O | posted in: All News, Cinema, Craft, Film, Interviews | 0

This article continues Y.M.CINEMA’s new series spotlighting emerging cinematographers and the craft behind their work. The first installment, Championing the Art of Filmmaking Through True Craft, set the tone, and now we’re proud to share the insights of another rising … Continued

‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying music changed film forever
28 Jul 2025

‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying music changed film forever

by Bolaji O | posted in: All News, Cinema, Craft, Film Score | 0

Alfred Hitchcock’s grisly horror, which turns 65 this month, might not have become known as an-all time classic without the crucial addition of Bernard Herrmann’s disturbing score. Source: ‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying … Continued

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