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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Craft

‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying music changed film forever
28 Jul 2025

‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying music changed film forever

by Bolaji O | posted in: All News, Cinema, Craft, Film Score | 0

Alfred Hitchcock’s grisly horror, which turns 65 this month, might not have become known as an-all time classic without the crucial addition of Bernard Herrmann’s disturbing score. Source: ‘It’s a reference whenever you want to build tension’: How Psycho’s terrifying … Continued

The Kurosawa You May Never Have Heard Of
21 Jul 2025

The Kurosawa You May Never Have Heard Of

by Bolaji O | posted in: All News, Artists, Arts, Craft, Film, Japan | 0

The great Japanese genre director Kiyoshi Kurosawa, whose latest film is “Cloud,” has mastered the cinema of psychological fright. Source: The Kurosawa You May Never Have Heard Of – The New York Times

Studios are rewriting movies steered by Reddit. A dangerous development – or long overdue?
14 Jul 2025

Studios are rewriting movies steered by Reddit. A dangerous development – or long overdue?

by Bolaji O | posted in: All News, Artists, Cinema, Craft, Hollywood, Social Media | 0

Spider-Man: No Way Home director Jon Watts has revealed that his original plans for the film had to be changed when Redditors predicted a plot point. Source: Studios are rewriting movies steered by Reddit. A dangerous development – or long … Continued

Studios
The Cinematography of Inception: Pfister, Nolan Capture Dreams
14 Jul 2025

The Cinematography of Inception: Pfister, Nolan Capture Dreams

by Bolaji O | posted in: All News, Cinema, Cinematography, Craft, Hollywood | 0

Dive deep into the making of the landmark film with this account from AC’s visit to the set, commentary from the cinematographer-director team, a lighting plot for the iconic hallway scene, and more. Source: The Cinematography of Inception: Pfister, Nolan … Continued

How Slow Motion Became Cinema’s Dominant Special Effect
30 Jun 2025

How Slow Motion Became Cinema’s Dominant Special Effect

by Bolaji O | posted in: All News, Cinema, Craft, Retrospective | 0

The turbulent late sixties saw the technique’s popularity explode—and it’s been helping moviemakers (and literary artists) engage with the unsettling tempos of modern life ever since. Source: How Slow Motion Became Cinema’s Dominant Special Effect | The New Republic

Blackmagic URSA Cine 17K 65 Joins Netflix Approved Camera List
30 Jun 2025

Blackmagic URSA Cine 17K 65 Joins Netflix Approved Camera List

by Bolaji O | posted in: All News, Cameras, Cinema Technology, Craft, Netflix | 0

Blackmagic Design’s flagship digital film camera, the URSA Cine 17K 65, has officially been added to the Netflix Approved Camera List, cementing its place among the elite imaging systems recognized by the streaming giant. With this move, Netflix gives a … Continued

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