formerly Mad Cornish Projectionist.
If you’ve spent time this holiday season catching up on the season’s movies and TV shows, chances are you’ve seen a couple of dogs. But it’s less likely you saw something directed by a dog. Source: BARK Has a New … Continued
Porwoll explains why the Canon C500 Mark II and Canon C70 were central to capturing deeply personal spaces with minimal intrusion, paired primarily with Angenieux EZ zoom lenses and selective long lens work. Shot in DCI 4K Super 35 using … Continued
When Avatar: Fire and Ash reaches theaters, most viewers will focus on the world of Pandora, not on the camera that captured it. Yet behind that immersive experience sits one of the most advanced and purpose-built camera systems ever used … Continued
Cinema in 2025 delivered a quiet but decisive correction. Instead of pushing technical limits for their own sake, top filmmakers chose tools that reinforced meaning, rhythm, and emotional texture. The most visually significant films of the year were not unified … Continued
Why Black Mirror creator Charlie Brooker‘s idea to deepfake cinemagoers into movies was typically prescient. Source: Can Charlie Brooker’s AI Vision For Movie Theaters Save Cinema?
Shot on 35mm amidst the scorching heat of Varanasi, the film serves as both a “dark, visual lullaby” and a cinematic ode to her grandfather’s incredible survival story. We sat down with the writer-director to discuss the rigorous discipline of … Continued