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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Digital Cinema

Digital News Articles

Sony Announces IMX908 With STARVIS 3. LOFIC Moves Toward Cinema
23 Mar 2026

Sony Announces IMX908 With STARVIS 3. LOFIC Moves Toward Cinema

by Bolaji O | posted in: All News, Digital Cinema | 0

Sony has introduced the IMX908, a new image sensor designed for security cameras, featuring the latest STARVIS 3 technology and delivering up to 96dB HDR. While the sensor itself targets surveillance applications, the underlying architecture reveals a broader shift in … Continued

Blackmagic Finally Brings PDAF to the PYXIS 6K in Official Beta
23 Mar 2026

Blackmagic Finally Brings PDAF to the PYXIS 6K in Official Beta

by Bolaji O | posted in: All News, Digital Cinema | 0

Blackmagic has taken a clear step forward in autofocus with an official forum beta build, version 10.0.3 RC1, introducing phase detection autofocus support for the PYXIS 6K.   Source: https://ymcinema.com/2026/03/20/blackmagic-finally-brings-pdaf-to-the-pyxis-6k-in-official-beta/

New AV system dazzles in immersive former train station
23 Mar 2026

New AV system dazzles in immersive former train station

by Bolaji O | posted in: All News, Digital Cinema, Media | 0

Christie Griffyn and Jazz Series laser projectors, driven by new media servers, are giving visuals more clarity and depth at The Grand Hall Experience at St Louis Union Station.   Source: https://www.avinteractive.com/territories-news/us-canada/new-av-system-dazzles-in-immersive-former-train-station-19-03-2026/

Dune 3 Needed Custom IMAX Lenses Built From Scratch
23 Mar 2026

Dune 3 Needed Custom IMAX Lenses Built From Scratch

by Bolaji O | posted in: All News, Cinema, Digital Cinema | 0

On the first Dune, as explained in Dune Was Shot on Alexa LF Then Transferred to 35mm Film Then Scanned Back to Digital, the production used a digital acquisition pipeline with a film intermediate. Moving to native 65mm and IMAX … Continued

Canon Breaks Down Open Gate Shooting for Modern Filmmakers
16 Mar 2026

Canon Breaks Down Open Gate Shooting for Modern Filmmakers

by Bolaji O | posted in: All News, Digital Cinema | 0

At the Canon Creative Studio during Sundance 2026, Canon hosted a technical presentation explaining a topic that has recently gained strong momentum in cinematography. Open Gate recording. While the concept itself has existed for years, Canon’s presentation clarified why the … Continued

Canon, Cinema Technology
SXSW 2026 Camera Breakdown: ALEXA 35, VENICE, BMPCC, and iPhone
16 Mar 2026

SXSW 2026 Camera Breakdown: ALEXA 35, VENICE, BMPCC, and iPhone

by Bolaji O | posted in: All News, Digital Cinema, Media | 0

Every year, the SXSW camera survey conducted by IndieWire offers one of the clearest windows into real-world cinematography decisions. The survey asks directors of photography behind SXSW feature films to disclose the cameras and lenses used during production. The result … Continued

Cinema Technology, Events, Industry, iPhone, SXSW

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