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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Film production

iPhone 16e vs iPhone 16: Which is Better for the Modern Smartphone Filmmaker?
24 Feb 2025

iPhone 16e vs iPhone 16: Which is Better for the Modern Smartphone Filmmaker?

by Bolaji O | posted in: All News, Film production, Media Devices, Reviews | 0

There are also some new features like the A18 chip, which could prove to be quite popular, yet some other choices (like getting rid of MagSafe with the 16E) that could prove to be quite unpopular. Still, for those who … Continued

How Did ‘The Brutalist’ Utilize AI in Post Production?
17 Feb 2025

How Did ‘The Brutalist’ Utilize AI in Post Production?

by Bolaji O | posted in: AI, All News, Conflict, Film production | 0

Over the weekend, news broke on X that The Brutalist had used AI while refining some elements in post.Of course, we also learned that some of the other films many assumed would be nominated for Best Picture had also used … Continued

Making ‘Porcelain War Documentary From 6000 Miles Apart
10 Feb 2025

Making ‘Porcelain War Documentary From 6000 Miles Apart

by Bolaji O | posted in: All News, Documentary, Europe, Film production | 0

Brendan Bellomo and Slava Leontyev only met in person at the Sundance premiere of the Ukraine war documentary. Source: Making ‘Porcelain War Doc From 600 Miles Apart (Guest Column)

Intimacy coordinators say Blake Lively’s legal dispute shows need for their role
28 Jan 2025

Intimacy coordinators say Blake Lively’s legal dispute shows need for their role

by Bolaji O | posted in: All News, Film, Film production | 0

Intimacy coordinators say the myriad allegations and counter-allegations show the importance of having a professional on set to mediate intense scenes with complicated power dynamics. Source: Intimacy coordinators say Blake Lively’s legal dispute shows need for their role | Blake … Continued

Sundance 2025 Cameras: ARRI ALEXA 35 Dominates the Festival Circuit
28 Jan 2025

Sundance 2025 Cameras: ARRI ALEXA 35 Dominates the Festival Circuit

by Bolaji O | posted in: All News, Cinema Technology, Film Festival, Film production | 0

The Sundance Film Festival has long been an essential platform for independent filmmakers to showcase their work. But it is not just the films that capture attention; the cameras behind these productions are equally important. In 2025, a clear trend … Continued

Cameras
Blackmagic URSA Cine 12K LF Gets Netflix Approval
20 Jan 2025

Blackmagic URSA Cine 12K LF Gets Netflix Approval

by Bolaji O | posted in: All News, Cinema Technology, Film production, Netflix, Products | 0

The Blackmagic Design URSA Cine 12K LF has officially joined the list of Netflix-approved cameras. This achievement highlights the camera’s ability to meet the rigorous technical requirements that Netflix sets for its Original productions. While this milestone has certainly elevated … Continued

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Media | Cinema | Projection, MCP and Mad Cornish Projectionist Services are all trading styles of Peter J Knight

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