formerly Mad Cornish Projectionist.
Sony Electronics introduces the FX5, a new full-frame camera in its Cinema Line series. A newly developed fully stacked CMOS image sensor raises sensitivity performance with 15+ stops of dynamic range, three base ISO settings and a Dual Gain shooting … Continued
Box office phenomenon “The Odyssey” by Christopher Nolan has been a powerful promotional tool for IMAX cinema technology, but it has also provoked a backlash online about its perceived elitism. Source: https://www.france24.com/en/live-news/20260725-the-odyssey-sparks-imax-stampede-and-a-backlash
The strong first-half performance is expected to continue with Sony Pictures’ upcoming Spider-Man: Brand New Day, the first title released under ScreenX’s new “Shot for ScreenX” initiative. The partnership allowed key sequences to be designed specifically for ScreenX’s 270-degree panoramic … Continued
Large-format film is returning to the center of high-end cinema. As The Odyssey pushes IMAX film capture further than any previous feature, ARRI Rental has spotlighted another formidable analog large-format system: the ARRIFLEX 765. Source: https://ymcinema.com/2026/07/24/arriflex-765-large-format-film/
They’re safer and cheaper than squibs and pyrotechnics, but there are limitations to digital gore and bullet hits. Source: https://filmstories.co.uk/features/modern-action-films-and-the-trouble-with-digital-bullet-hits/
A brand-new 35mm print of Ôtomo Katsuhiro’s “Akira” – struck from the 4K master and the first of its kind to be created anywhere in the world in decades – will make its debut at BFI Southbank, London, from Aug. … Continued