INDIA has welcomed, embraced and indigenised the art of cinema in which song and dance sequences have been used to great effect in Bombay’s popular cinema (called Bollywood). These sequences add to the after-lives of films, extending their aesthetic as well as production value. Jerry Pinto invokes the electrifying Helen, his glamorous muse, with unequivocal admiration in ‘Helen: The Making of a Bollywood H-Bomb’, which was first published in 2006, delineating Helen’s journey through an elaborate filmography, from the early 1950s through the 2000s.