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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
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    • Content Release
    • Media News
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    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Barco

Barco and CineTech Middle East JLT help expand the digital cinema experience into Nigeria and Ghana
18 Mar 2014

Barco and CineTech Middle East JLT help expand the digital cinema experience into Nigeria and Ghana

by Peter | posted in: Africa, All News, Barco, Belgium, Digital Cinema | 0

http://www.barco.com/en/News/Press-releases/Barco-and-CineTech-Middle-East-JLT-help-expand-the-digital-cinema-experience-into-Nigeria-and-Ghana.aspx?

Barco
Highly immersive ‘Barco Virtual World’ opens its doors at AED Studios
7 Mar 2014

Highly immersive ‘Barco Virtual World’ opens its doors at AED Studios

by Peter | posted in: All News, Barco, Belgium | 0

http://www.barco.com/en/News/Press-releases/Highly-immersive-Barco-Virtual-World-opens-its-doors-at-AED-Studios.aspx

Barco
EGA Cinema (India) treats audience to Auro 11.1 experience by Barco
27 Feb 2014

EGA Cinema (India) treats audience to Auro 11.1 experience by Barco

by Peter | posted in: All News, Auro, Barco, India | 0

http://www.barco.com/en/News/Press-releases/EGA-Cinema-India-treats-audience-to-Auro-111-experience-by-Barco.aspx

Barco
America’s oldest drive-in goes digital with Barco, GDC and Ballantyne Strong
8 Feb 2014

America’s oldest drive-in goes digital with Barco, GDC and Ballantyne Strong

by vicky | posted in: All News, USA | 0

http://www.filmjournal.com/filmjournal/content_display/news-and-features/news/digital-cinema/e3ibfa61f03bd8ab20a0db900e799f41b3e

Ballantyne Strong, Barco, Film Journal International, GDC, PA, SX, United States
The Oldest Drive-In Movie Theatre in America Goes Digital with GDC Technology, Barco and Ballantyne Strong
8 Feb 2014

The Oldest Drive-In Movie Theatre in America Goes Digital with GDC Technology, Barco and Ballantyne Strong

by vicky | posted in: All News, USA | 0

http://www.dcinematoday.com/dc/pr.aspx?newsID=3535

Ballantyne Strong, Barco, DCinema Today, GDC, SX, Technology Limited
“The Amazing Spider-Man 2” Gets State-Of-The-Art Sound As Filmmakers Mix In Dolby Atmos And Auro 11.1 By Barco
30 Jan 2014

“The Amazing Spider-Man 2” Gets State-Of-The-Art Sound As Filmmakers Mix In Dolby Atmos And Auro 11.1 By Barco

by Peter | posted in: All News, Auro, CTM News, Dolby Atmos, USA | 0

http://www.digitalfacility.com/articles/viewarticle.jsp?id=3034151

Barco, Digital Facility, Dolby, Dolby Atmos, Dolby Laboratories, Sony, Sony Pictures, Sony Pictures Entertainment, Spider Man

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Media | Cinema | Projection, MCP and Mad Cornish Projectionist Services are all trading styles of Peter J Knight

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