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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

New Statesman

What Hitchcock’s Vertigo teaches us about love
3 Feb 2022

What Hitchcock’s Vertigo teaches us about love

by Bolaji O | posted in: All News | 0

The film’s twin love stories contrast two ways of understanding what tethers us to someone: personal qualities and shared history.   Source: https://www.newstatesman.com/ideas/agora/2022/01/what-hitchcocks-vertigo-teaches-us-about-love

New Statesman
The paradoxes and platitudes of Salman Rushdie
15 Jun 2021

The paradoxes and platitudes of Salman Rushdie

by Bolaji O | posted in: All News, UK | 0

In a new collection of essays, the author reveals the difficulty of reconciling his belief in multiplicity and ambiguity with a kind of rational absolutism.   Source: https://www.newstatesman.com/salman-rushdie-languages-of-truth-review

New Statesman
We all crave the little things we could do before lockdown – and I desperately miss the cinema
4 Jun 2020

We all crave the little things we could do before lockdown – and I desperately miss the cinema

by Bolaji O | posted in: All News, UK | 0

Right before it became a ridiculous thing to do, I sat in a darkened room with tens of strangers and sobbed, mouth agape, at Pixar’s latest offering,  Onward. It seems impossible, now, that ten days before Boris Johnson put the … Continued

New Statesman
By blaming Blue Story for violence, we ignore the reality it reflects
4 Dec 2019

By blaming Blue Story for violence, we ignore the reality it reflects

by Bolaji O | posted in: All News | 0

Rapman’s poignant film exposes the poverty, inequality and racism that contribute to gang warfare. On Saturday evening, a fight broke out at the Vue cinema at the StarCity complex in north Birmingham. It was claimed that it had started at … Continued

New Statesman
Is Netflix killing cinema? | New Statesman
8 Mar 2019

Is Netflix killing cinema? | New Statesman

by Peter | posted in: All News | 0

Some claim the streaming platform represents cinema’s slow death march, while others argue the backlash is simply cultural elitism from rigid cinephiles. Source: Is Netflix killing cinema? | New Statesman

New Statesman
Can celluloid lovers like Christopher Nolan stop a digital-only future for film?
2 Sep 2017

Can celluloid lovers like Christopher Nolan stop a digital-only future for film?

by Peter | posted in: 35mm, All News, Celluloid News | 0

Despite proponents like the Dunkirk director, physical film is finding it tough in the modern age. Source: Can celluloid lovers like Christopher Nolan stop a digital-only future for film?

Christopher Nolan, New Statesman

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