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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Film Criticism

Blink Twice and Promising Young Woman Are Pandering Parables
10 Sep 2024

Blink Twice and Promising Young Woman Are Pandering Parables

by Bolaji O | posted in: All News, Cinema, Film Criticism | 0

It’s a simple message: Rape culture hides in plain sight. Of course, any conscientious consumer of these movies already knows that. So, by simply reiterating that truth with no other insights, these films leave on the table many other complex … Continued

What Is the New Standard of American Cinema?
10 Sep 2024

What Is the New Standard of American Cinema?

by Bolaji O | posted in: All News, Cinema, Film, Film Criticism, Film Festival | 0

”On one hand: The stars were back! On the other: American film production was shut down for a significant chunk of 2023, which is when many movies in this year’s festival would have been trying to shoot. Did you notice … Continued

Venice Film Festival
‘The Brutalist’ Review: Flawed But Fascinating Edifice To Possibilities Of Cinema
3 Sep 2024

‘The Brutalist’ Review: Flawed But Fascinating Edifice To Possibilities Of Cinema

by Bolaji O | posted in: All News, Cinema, Film Criticism | 0

Brady Corbet’s odyssey into the artistic realms of the 20th century promises, on paper, to be a time-spanning epic. But though the running time is a whopping 3 hours and 35 minutes — with a 15-minute interval whether you want … Continued

“Chinatown” at 50, or Seeing Oil Through Cinema
10 Jul 2024

“Chinatown” at 50, or Seeing Oil Through Cinema

by Bolaji O | posted in: All News, Cinema History, Film Criticism, Retrospective | 0

Chinatown seems to have dropped off of a lot of best-of lists altogether. Well into middle age, the film seems now to have passed its prime. Source: “Chinatown” at 50, or Seeing Oil Through Cinema | Los Angeles Review of … Continued

Film critic Ian Nathan looks at the legacy of the ‘Mad Max’ cinematic universe
25 Jun 2024

Film critic Ian Nathan looks at the legacy of the ‘Mad Max’ cinematic universe

by Bolaji O | posted in: All News, Cinema, Film Criticism, Franchise | 0

His book, ‘The Legend of Mad Max: The Complete Saga From Mad Max to Furiosa,’ looks at the creation, production and legacy of the enduring franchise. Source: Film critic Ian Nathan looks at the legacy of the ‘Mad Max’ cinematic … Continued

‘The Apprentice’ scores low on Screen’s Cannes jury grid; ‘The Shrouds’ divides critics
22 May 2024

‘The Apprentice’ scores low on Screen’s Cannes jury grid; ‘The Shrouds’ divides critics

by Bolaji O | posted in: All News, Cannes, Film, Film Criticism | 0

Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7. Source: ‘The Apprentice’ scores low on Screen’s Cannes jury grid; ‘The Shrouds’ divides critics | … Continued

Cannes, Screen

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