formerly Mad Cornish Projectionist.
“AI in the Screen Sector: Perspectives and Paths Forward,” designed to guide the U.K. to “capitalize on its creative strengths,” mentions the post-production AI use on ‘The Brutalist,’ among others. Source: BFI AI Recommendations Report for Ethical, Sustainable, Inclusive Use
Today, Blackmagic Design officially announced the final release of DaVinci Resolve 20, following a period of public beta testing that began in April. This release marks a stable rollout of the latest version of the company’s flagship post-production software, which … Continued
In a market flooded with mirrorless hybrids (and with the launch of the Sony FX2), cinema-focused beasts, and content-creator crossovers, choosing the right camera can feel overwhelming. Whether you’re a filmmaker, a YouTuber, or a documentarian, understanding the real-world performance … Continued
Mel Gibson is in Italy preparing to shoot his “The Passion of the Christ” sequel that, just like the original, will make use of the ancient southern Italian town of Matera where he has been welcomed by the country’s Culture … Continued
Largo.ai, the AI-driven analytics platform for the film, TV and advertising industries, has formed a strategic alliance with London and Rome-based Brilliant Pictures.The deal, announced in Cannes, will see the formation of what’s described as the “world’s first ever fully … Continued
When IMAX CEO Rich Gelfond publicly announced that Christopher Nolan’s highly anticipated film The Odyssey would be the first feature shot entirely on IMAX film cameras, the industry took notice. But Gelfond didn’t stop there—he claimed Nolan would use an … Continued