formerly Mad Cornish Projectionist.
In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment. Michael used high-end cameras for the job, including … Continued
The International Cinema Technology Association (ICTA) and The Cinema Foundation have signed a Memorandum of Understanding to work together to foster and maintain professional and business relationships among their members and all segments of the motion picture industry, disseminate technical … Continued
Fujifilm introduces the FUJINON 25-1000mm F2.8-5.0 PL box lens, which can cover large sensors. This new glass is a broadcast lens set to launch in 2023. The FUJINON 25-1000mm is defined as the highest combination of magnification and telephoto reach … Continued
No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much tougher, and pricier (…because of the armor). Source: … Continued
If you’re the proud owner of the newly released Sony FX30 (article here) or any other Sony Cine Line digital camera, you may have wondered what these S-Log modes are all about, what Cine EI means, and why you should … Continued
As the headline suggests, this new RED CONTROL PRO (App Store link) is only capable of controlling KOMODO 6K and V-RAPTOR cameras, so it does not support DSMC2 or previous generation RED cameras. Source: RED CONTROL PRO Announced – Advanced … Continued