Avatar 2 was shot in unconventional cinematographic methodologies. The camera is the Sony VENICE rigged to a specially made 3D stereoscopic beam splitter system, utilizing the Rialto extension unit. The system is called Sony CineAlta VENICE 3D. Here are a few pictures of it... Source: This is the Camera That Shot Avatar 2 - Y.M.Cinema - News & … [Read more...]
Meet the ‘Cockpit Lens’ Behind Top Gun: Maverick
In order to shoot inside the tight space of the F-18 in Top Gun: Maverick, the production chose the tiny but robust Voigtlander lenses. These all-metal lenses were well paired with Sony VENICE’s Rialto extension units. Here are a few words about the Voigtlander glass. Source: Meet the ‘Cockpit Lens’ Behind Top Gun: Maverick - Y.M.Cinema - News … [Read more...]
Xelmus Anamorphic: Ukrainian Cinema Lens Manufacturer Under Fire
Hard times to one of the best cine-anamorphic makers, Xelmus Anamorphic. The Ukrainian lens manufacturer is under fire due to the Russian invasion. Now might be the best time to support it. Here is how you can help. Source: Xelmus Anamorphic: Ukrainian Cinema Lens Manufacturer Under Fire - Y.M.Cinema - News & Insights on Digital Cinema … [Read more...]
Nikon Publishes Short Film Captured in 8K N-RAW on the Z9. What do you think?
Nikon has published a video shot entirely on its new flagship, the Z9, utilizing its 8K N-RAW coded. All footage was captured on 8K 60p RAW. A BTS video was published as well, demonstrating the filmmaking capabilities of the Z9. Nikon wants to prove that the Z9 can be used in cinema applications, including aerial FPV. Watch this intriguing … [Read more...]
Watch These Epic Rigged Handheld BMPCC 6K Cameras
Are you a BMPCC shooter? Then check out these cool setups of the BMPCC (Blackmagic Pocket Cinema Camera) 6K cameras. All credit goes to the users of the Blackmagic Pocket Cinema Camera 6K PRO, 6K & 4K FB User Group. Here are the selected pictures... Source: Watch These Epic Rigged Handheld BMPCC 6K Cameras - Y.M.Cinema - News & Insights on … [Read more...]
Panasonic CES 2022 Press Conference: R.I.P Camera Division?
If you needed any proof that the Panasonic camera division is dying, then search no more. Just watch the Panasonic CES 2022 Press Conference. That presentation takes 54 Minutes long focusing on B2B products, and only 5 Seconds dedicated to the next LUMIX (GH6?). Moreover, there’s no mentioning whatsoever regarding its cinema lineup. R.I.P Camera … [Read more...]
