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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Opinion

How blockbusters, streaming and risk-averse studios shaped the last 25 years of cinema
23 Jun 2025

How blockbusters, streaming and risk-averse studios shaped the last 25 years of cinema

by Bolaji O | posted in: All News, Cinema, Hollywood, Opinion | 0

In the ​last ​of our miniseries,​ we look at how Hollywood has become a franchise machine​​. But in a sea of superheroes and sequels, there is still room for cinematic artistry. Source: The Guide #196: How blockbusters, streaming and risk-averse … Continued

Shakira: Being an Immigrant in U.S. ‘Means Living in Constant Fear’
16 Jun 2025

Shakira: Being an Immigrant in U.S. ‘Means Living in Constant Fear’

by Bolaji O | posted in: All News, Artists, Opinion, USA | 0

The Colombian-born singer moved to the U.S. as a teenager to expand her music career. Source: Shakira: Being an Immigrant in U.S. ‘Means Living in Constant Fear’

U.S
Star Wars was the greatest film ever. Now it looks terrible
16 Jun 2025

Star Wars was the greatest film ever. Now it looks terrible

by Bolaji O | posted in: All News, Cinema, Opinion | 0

George Lucas’s original 1977 cut has been screened for the first time in decades – but it looks more like fancy dress than grand sci-fi epic. Source: Star Wars was the greatest film ever. Now it looks terrible

Star Wars
‘Gladiator II’ Director Ridley Scott Says People Can Skip Cinemas With a Cheap Home Theater Set-Up
9 Jun 2025

‘Gladiator II’ Director Ridley Scott Says People Can Skip Cinemas With a Cheap Home Theater Set-Up

by Bolaji O | posted in: All News, Artists, Cinema, Hollywood, Opinion | 0

Ridley Scott has never been afraid of sharing his opinion on the industry he works in, and he has done it again when addressing how “dangerous” it is for audiences to be able to easily skip cinemas – and why … Continued

Industry Insights: Act like a business within the business
9 Jun 2025

Industry Insights: Act like a business within the business

by Bolaji O | posted in: All News, AudioVisual, Companies, Industry, Opinion | 0

Jonathan English questions whether your AV strategy is worth the paper it’s written on. Source: Industry Insights: Act like a business within the business | AV Magazine

Ana De Armas Explains How European and American Audiences Differ
2 Jun 2025

Ana De Armas Explains How European and American Audiences Differ

by Bolaji O | posted in: All News, Artists, Cinema, Hollywood, Opinion | 0

“The influence of American cinema in Europe is stronger, I would say,” de Armas started. “Europeans like European films, I would say. I think Europeans also – or Spanish people – have a pretty wide spectrum of…they know about cinema, … Continued

Posts pagination

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