In the late 1990s, I interviewed the director Harmony Korine over the phone. Back then a conversation with Korine could go several ways at once, sometimes in mid-sentence. And yet suddenly he talked with calm and clarity about the future of digital video. Digital cameras were still irrelevant to movies then: unloved things sold in Dixons that produced scuzzy images of wedding receptions and children’s parties. But soon, Korine said, that was going to change. In fact, digital cameras were going to change cin
Source: Celluloid is strictly for nostalgists. Digital technology saved a dying medium | Film | The Guardian