formerly Mad Cornish Projectionist.
From generative production and AI-powered post-production to content discovery, immersive experiences and next-generation imaging, a group of EIT Culture & Creativity-backed ventures arriving at IBC2026 offers a snapshot of where European media innovation is heading next. Source: IBC
The European Union Official Gazette July 29 published the European Commission (EC) decision on State Aid, approving France’s amendment to its corporation tax credit regime for domestic production of cinematographic and audiovisual works by foreign production companies. Source: Bloomberg
National CineMedia Inc., the largest cinema advertising platform in the U.S., today announced that it has entered into a definitive agreement to acquire Captivate Holdings, LLC (“Captivate”), the leading operator of digital video elevator and lobby advertising in North America, … Continued
There’s a conversation that has been repeating often lately. It usually starts with a question about artificial intelligence and audiovisual production, but at its core, it’s always the same issue, just phrased differently: what is really going to die? … Continued
Colombia’s burgeoning Bogotá Audiovisual Market (BAM) opens its doors even wider to welcome young wannabe producers from Central America, the Caribbean and Andean countries this year, thanks to an alliance with Netflix. Source: https://variety.com/2026/film/global/colombia-bogota-audiovisual-market-welcomes-france-netflix-1236801796/
Afreximbank African Export-Import Bank (Afreximbank) is making its biggest push yet into Africa’s creative economy, targeting the mobilisation of up to $1 billion for the continent’s film and audiovisual industry through the Pan-African Film Fund, in a move aimed at … Continued