formerly Mad Cornish Projectionist.
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon 25-300mm cinema lens. Source: Shooting Sports on ARRI … Continued
ARRI has announced the new SUP 7.2 for ALEXA Mini LF, and it emphasizes that this ‘large format flagship’ will continue to improve with additional updates during 2023. Source: ARRI Strengthens its Mini LF ‘Large Format Flagship’ Capabilities – YMCinema … Continued
The acclaimed cinematographer, Steve Yedlin ASC, sat with Zeiss to discuss the cinematography behind the beautiful film Glass Onion: A Knives Out Mystery. Read below what Yedlin had to say about camera movements and lensing, and also his advice to … Continued
A solid rumor indicates that the next MonsterVerse of Godzilla & Kong will be shot on IMAX MSM 70mm film cameras with Panavised Canon 1200 lenses. That would be the first MonsterVerse film to be shot in the 15/70 format. … Continued
Here’s a super solid reference for the art of filmmaking. The acclaimed movie director, Steven Spielberg, filmed and directed his first music video, by using an Apple iPhone as the sole camera on set. The clip was filmed and edited … Continued
Vivo X90 Pro, which is defined (by Vivo and Zeiss) as a Pro-photography phone, that incorporates a mighty 1-Inch sensor, gets an international launch. This is the first smartphone that is armed with a big sensor and obtains out-of-China release. … Continued