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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Digital Cinema

IMAX Certifies the RED V-Raptor As a “Filmed For IMAX” Camera
16 Dec 2022

IMAX Certifies the RED V-Raptor As a “Filmed For IMAX” Camera

by Bolaji O | posted in: All News | 0

James Gunn’s Guardians of the Galaxy Vol. 3 returns. The film was shot on RED V-Raptor by the RED shooter, Henry Braham, BSC. IMAX categorized the film as “Filmed for IMAX” and released an ‘IMAX trailer’. Source: IMAX Certifies the … Continued

Digital Cinema
Shooting 8K RAW to the Cloud: The Future of Filmmaking?
16 Dec 2022

Shooting 8K RAW to the Cloud: The Future of Filmmaking?

by Bolaji O | posted in: All News | 0

Adobe has launched ‘Camera to Cloud’ (Beta) for RED V-Raptor cameras, which means you can shoot 8K RAW straight to the cloud with no additional hardware. The only limitation is that a high-bandwidth internet connection is required. Adobe defines it … Continued

Digital Cinema
What Did Really Happen With the WW3 Project? Patty Jenkins Explains
16 Dec 2022

What Did Really Happen With the WW3 Project? Patty Jenkins Explains

by Bolaji O | posted in: All News | 0

WW (Wonder Woman) director, Patty Jenkins, explains in a detailed and emotional letter, what actually happen to the WW3 project. In a sentence, DC disconnected Jenkins from directing WW3. Read Jenkins’s letter below.. Source: What Did Really Happen With the … Continued

Digital Cinema
DaVinci Resolve for iPad: A Review and Insights
9 Dec 2022

DaVinci Resolve for iPad: A Review and Insights

by Bolaji O | posted in: All News | 0

So I made a short film entirely on the iPad version of DaVinci Resolve 18. I must say that it was a very special, innovative, fun, and annoying experience. The app crashed only once, but overall the interface is damn … Continued

Digital Cinema
Sony’s Cinema Line PTZ Camera FR7 is Netflix Approved
9 Dec 2022

Sony’s Cinema Line PTZ Camera FR7 is Netflix Approved

by Bolaji O | posted in: All News | 0

The PTZ camera of Sony’s Cinema Line, FR7, has just been approved by Netflix for its Originals 4K productions, as the main camera. This is the first time that Netflix approves a PTZ (pan/tilt/zoom) camera as the primary camera. Source: … Continued

Digital Cinema, Sony
RED Komodo Gets Gio Scope, ELQ, and Improved AF
9 Dec 2022

RED Komodo Gets Gio Scope, ELQ, and Improved AF

by Bolaji O | posted in: All News | 0

In the next firmware, RED Komodo shooters will get tons of new and exciting stuff. First, the Gio Scope is back (false color straight from the sensor), a new low compression option (ELQ), and improved AF (AutoFocus). Source: RED Komodo … Continued

Digital Cinema

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