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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Digital Cinema

Inventing Sony VENICE 2: The Jump From 6K to 8.6K
17 Nov 2022

Inventing Sony VENICE 2: The Jump From 6K to 8.6K

by Bolaji O | posted in: All News | 0

Sony has published an interview with the designer and the planner of VENICE 2. This conversation shed more light on the challenges involved in developing the brand new 8.6K sensor, and why, in some scenarios, the lower resolution sensor is … Continued

Digital Cinema
The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking
17 Nov 2022

The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking

by Bolaji O | posted in: All News | 0

Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the hassle for wildlife cinematographers, by making the camera … Continued

Digital Cinema, RED
James Cameron: “You want it to look like the people are underwater, so they need to be underwater!”
10 Nov 2022

James Cameron: “You want it to look like the people are underwater, so they need to be underwater!”

by Bolaji O | posted in: All News | 0

In an interview with The New York Times, James Cameron focuses on the crazy demands from the actors, to submerge themeless, taking free-dive lessons, in order to breath-hold for long minutes. “You want it to look like the people are … Continued

Digital Cinema, James Cameron
Smartphone + Large Sensor + Lens Mount = The Future of Mobile Cinematography 
10 Nov 2022

Smartphone + Large Sensor + Lens Mount = The Future of Mobile Cinematography 

by Bolaji O | posted in: All News | 0

Xiaomi nailed it. They launched a new concept phone, titled Xiaomi 12S Ultra Concept Phone. This smartphone is armed with a 1-inch sensor, and more importantly, a Leica lens mount, which means you can attach a Leica lens straight to … Continued

Digital Cinema
IMAX is Developing Cloud Infrastructure for Post-Production
10 Nov 2022

IMAX is Developing Cloud Infrastructure for Post-Production

by Bolaji O | posted in: All News | 0

According to the requirement of the new job at IMAX, it seems that the company is strengthening and developing its cloud infrastructure, in order to implement pipelines and workflows for cloud-based image processing applications, including post-production. Source: IMAX is Developing … Continued

Digital Cinema, IMAX
RED RHINO V-Raptor 8K S35 Announced
10 Nov 2022

RED RHINO V-Raptor 8K S35 Announced

by Bolaji O | posted in: All News | 0

The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. Source: RED RHINO V-Raptor 8K S35 Announced – YMCinema … Continued

Digital Cinema

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