formerly Mad Cornish Projectionist.
Digital Cinema student Tabitha Wheeler is spearheading a capstone film project unlike anything seen before at SOU. The project is likely to catch the eyes of movie lovers in the Ashland community and beyond, following its successful crowdfunding campaign, backing … Continued
RED has announced an S35 (Super 35) version of its flagship, the V-Raptor. This camera is still being tested by RED. Furthermore, the shipping of the Raptor XL will begin in August. Source: RED Announces the Raptor 8K S35 – … Continued
Here we go again. And it was pretty much expected. RED Digital Cinema is suing Nikon regarding the use of the compressed raw video recording capabilities (N-RAW) available on the newly announced Z9 flagship camera. Source: RED Sues Nikon Over … Continued
Apple has just responded to the “Final Cut Pro in TV and Film” open letter, that criticizes Apple’s NLE flagship (FCP) for not being a ‘professional’ enough to pro editors in the industry. Apple disappoints by declaring dull and superficial … Continued
RED has published a white paper focusing on its codec, which is the REDCODE RAW. Although this document is not new, it’s pretty updated and contains interesting insights regarding the evolution of this compressed codec implemented in RED cameras, from … Continued
The brochure of the super-anticipated new camera from ARRI has leaked. Named ALEXA 35, this new technological marvel owns 17-stops of dynamic range, a whole newly developed 4.6 K sensor, and a new color science called REVEAL. Now it’s time … Continued