formerly Mad Cornish Projectionist.
Veteran documentary filmmaker Neal Broffman shares with is his experience and knowledge when shooting the four-part series Wasteland (produced for CBS and available on Paramount+). This complex job was done with the help of Canon Cinema EOS cameras. Read on … Continued
Avatar 2 was shot in unconventional cinematographic methodologies. The camera is the Sony VENICE rigged to a specially made 3D stereoscopic beam splitter system, utilizing the Rialto extension unit. The system is called Sony CineAlta VENICE 3D. Here are a … Continued
In order to shoot inside the tight space of the F-18 in Top Gun: Maverick, the production chose the tiny but robust Voigtlander lenses. These all-metal lenses were well paired with Sony VENICE’s Rialto extension units. Here are a few … Continued
Hard times to one of the best cine-anamorphic makers, Xelmus Anamorphic. The Ukrainian lens manufacturer is under fire due to the Russian invasion. Now might be the best time to support it. Here is how you can help. Source: Xelmus … Continued
Nikon has published a video shot entirely on its new flagship, the Z9, utilizing its 8K N-RAW coded. All footage was captured on 8K 60p RAW. A BTS video was published as well, demonstrating the filmmaking capabilities of the Z9. … Continued
Are you a BMPCC shooter? Then check out these cool setups of the BMPCC (Blackmagic Pocket Cinema Camera) 6K cameras. All credit goes to the users of the Blackmagic Pocket Cinema Camera 6K PRO, 6K & 4K FB User Group. … Continued