formerly Mad Cornish Projectionist.
First, these are just predictions. But, there’s a good chance that Blackmagic Design (BMD) will introduce some cool and exciting stuff during the upcoming NAB. How do we get into that? Here’s the (very logical) explanation made by John Owens … Continued
Nikon has published its Medium-Term Management Plan. According to the deck, Nikon plans to release more than 50 mirrorless lenses by 2025. Furthermore, Nikon wants to deploy advanced features from the Z9 across the Z lineup. Source: Nikon’s Plan: Releasing … Continued
There’s a new massive glass by Canon. Two fast cinema zoom lenses for full-frame sensors: CN-E20-50mm T2.4 L F/FP, CN-E45-135mm T2.4 L F/FP, and a giant UHD-DIGISUPER 122 AF (8.2 mm -1,000 mm) lens for 4K broadcasting. Source: Canon Announces … Continued
This article is based on one of the most comprehensive tests crafted by cinematographer Manuel Lübbers. Although this is not a new test, it is worth mentioning as it explains and clarifies the misconception regarding large format cinematography. The test … Continued
RED Digital Cinema has updated the Support page of its V-Raptor regarding artifacts shown due to the stitched sensor. According to RED, the solution is “behind-the-lens mitigation” that can be installed in-camera. But what does it actually mean? Update (6/2/2022). … Continued
ARRI has published its latest and most comprehensive showreel. On this very thorough (over 12 minutes) reel, ARRI pays tribute to filmmakers who used its cameras, from Super 35 to full-frame and beyond (ARRI 65), including film cameras like ARRICAM … Continued