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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Digital Cinema

‘The Matrix’ is Coming to IMAX. Should You Watch it? – Y.M.Cinema
26 Nov 2021

‘The Matrix’ is Coming to IMAX. Should You Watch it? – Y.M.Cinema

by Bolaji O | posted in: All News | 0

Cinematographer Bill Pope shot ‘The Matrix’ on the Panavision Platinum cameras paired with Primo Prime glass. The format was Super 35 2.35:1 aspect ratio, utilizing Kodak’s Vision 500T 5279 and 200T 5274 stocks. “We shot all of the day exteriors … Continued

Digital Cinema, IMAX
Panasonic 8K Camera With 35MP Super 35mm Organic Sensor Spotted – Y.M.Cinema
4 Nov 2021

Panasonic 8K Camera With 35MP Super 35mm Organic Sensor Spotted – Y.M.Cinema

by Bolaji O | posted in: All News | 0

Panasonic has presented (again) an 8K prototype camera with a new 35MP S35 organic sensor, at the 4K/8K Technology Expo 2021 in Makuhari Messe, Chiba, Japan. This system was supposed to be operational at the Tokyo Olympics, however, Panasonic says … Continued

Digital Cinema
Are You Ready For ‘Micro’ Filmmaking? – Y.M.Cinema 
4 Nov 2021

Are You Ready For ‘Micro’ Filmmaking? – Y.M.Cinema 

by Bolaji O | posted in: All News | 0

Have you heard about micro lenses (probes) in filmmaking? Macro glass is well known and heavily utilized by filmmakers. However, micro lenses, although not new, are less familiar. Luckily, the guys at Digital Cinema Society shed light on micro cinematography, … Continued

Digital Cinema
DaVinci Resolve 17.4 Allows Editing & Grading Multiple 8K Streams on the new MacBook Pro – Y.M.Cinema 
29 Oct 2021

DaVinci Resolve 17.4 Allows Editing & Grading Multiple 8K Streams on the new MacBook Pro – Y.M.Cinema 

by Bolaji O | posted in: All News | 0

Blackmagic Design has announced DaVinci Resolve 17.4 which transforms the speed of the grading software to work up to 5 times faster on the new Apple Mac models with the M1 Pro and M1 Max chips. According to Blackmagic, Resolve … Continued

Digital Cinema
Nikon Presents the Z9 Flagship: 8K60p ProRes RAW and N-RAW Internally – Y.M.Cinema
29 Oct 2021

Nikon Presents the Z9 Flagship: 8K60p ProRes RAW and N-RAW Internally – Y.M.Cinema

by Bolaji O | posted in: All News | 0

After numerous teasers, Nikon is officially introducing its new flagship, the Z9 full-frame camera. Judging by the specs, Nikon wants to make it a cinema camera par excellence and aims to professional videographers and cinematographers. The Z9 (in a future … Continued

Digital Cinema
RUST’s Gaffer: “It’s the fault of negligence and unprofessionalism” -Y.M.Cinema 
29 Oct 2021

RUST’s Gaffer: “It’s the fault of negligence and unprofessionalism” -Y.M.Cinema 

by Bolaji O | posted in: All News | 0

Serge Svetnoy is a close friend of cinematographer Halyna Hutchins who was shot and killed by a prop gun on RUST’s set. Serge also was the gaffer on the film and stood near Halyna when the accident happened. Serge has … Continued

Digital Cinema

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