formerly Mad Cornish Projectionist.
Cinematographer Bill Pope shot ‘The Matrix’ on the Panavision Platinum cameras paired with Primo Prime glass. The format was Super 35 2.35:1 aspect ratio, utilizing Kodak’s Vision 500T 5279 and 200T 5274 stocks. “We shot all of the day exteriors … Continued
Panasonic has presented (again) an 8K prototype camera with a new 35MP S35 organic sensor, at the 4K/8K Technology Expo 2021 in Makuhari Messe, Chiba, Japan. This system was supposed to be operational at the Tokyo Olympics, however, Panasonic says … Continued
Have you heard about micro lenses (probes) in filmmaking? Macro glass is well known and heavily utilized by filmmakers. However, micro lenses, although not new, are less familiar. Luckily, the guys at Digital Cinema Society shed light on micro cinematography, … Continued
Blackmagic Design has announced DaVinci Resolve 17.4 which transforms the speed of the grading software to work up to 5 times faster on the new Apple Mac models with the M1 Pro and M1 Max chips. According to Blackmagic, Resolve … Continued
After numerous teasers, Nikon is officially introducing its new flagship, the Z9 full-frame camera. Judging by the specs, Nikon wants to make it a cinema camera par excellence and aims to professional videographers and cinematographers. The Z9 (in a future … Continued
Serge Svetnoy is a close friend of cinematographer Halyna Hutchins who was shot and killed by a prop gun on RUST’s set. Serge also was the gaffer on the film and stood near Halyna when the accident happened. Serge has … Continued