Digital Cinema

What’s the goal of the newly announced RED Komodo-X? We all know the purpose of the 1st Komodo (Baby Dragon/RED’s first action cam/crash cam). However, the new Komodo-X seems a bit tricky to define. Source: RED Komodo-X: From Crash-Cam to … Continued

As IndieWire has published its great camera survey regarding Cannes Film Festival 2023, we analyzed the data to reveal that the ARRI ALEXA Mini is still the king of kings. This is the 4th year in a row that this … Continued

The champion of lens metadata — Cooke Optics, has partnered with EZtrack — a company that specializes in CG (Computer Generated) tracking, in order to facilitate CG workflow. The goal is to grant the director the CG elements in NRT … Continued

YouTuber Matti Haapoja shows us how he prepares his ARRI ALEXA Mini LF for a shoot. This very basic but educational tutorial demonstrates how to assemble a high-end cinema camera for a professional production. Source: Preparing a Cinema Camera for … Continued

RED Digital Cinema CEO, Jarred Land, has chimed in to Scott Balkum’s livestream talking about all things RED. Surprisingly (or not) he teased the next RED camera, which is the Komodo-X. At first glance, it looks like the Komodo-X is … Continued

In this episode, we interviewed cinematographer and director John De Menil. John shares with us his insights about storytelling, making it into major film festivals, how to choose the right cameras and lenses for the project as an integral part … Continued