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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
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    • Content Release
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    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Author Archives: Bolaji O

Blackmagic Set to Become the World’s First Camera and Editing System for Apple Immersive Video
12 Jun 2024

Blackmagic Set to Become the World’s First Camera and Editing System for Apple Immersive Video

by Bolaji O | posted in: All News, Cinema, Cinema Technology | 0

Produce 8K, 3D videos with a 180-degree field of view and Spatial Audio with the Blackmagic URSA Cine Immersive camera and DaVinci Resolve. Source: Blackmagic Set to Become the World’s First Camera and Editing System for Apple Immersive Video | … Continued

Chiwetel Ejiofor and Michael Winterbottom Claim Raindance’s Icon Award
12 Jun 2024

Chiwetel Ejiofor and Michael Winterbottom Claim Raindance’s Icon Award

by Bolaji O | posted in: All News, Awards, Cinema | 0

Previous recipients of the festival’s signature award include Olivia Colman, Jude Law, and Sir Michael Caine. Source: Chiwetel Ejiofor and Michael Winterbottom Claim Raindance’s Icon Award

The Foggy Future of IMAX Film Cameras
12 Jun 2024

The Foggy Future of IMAX Film Cameras

by Bolaji O | posted in: All News, Cinema, Companies, IMAX | 0

Doing the math, it seems that IMAX film cameras have a foggy and unknown future. The next generation of IMAX film cameras is delayed, and the demand for shooting 15-perf has significantly reduced. These are our two cents. Source: The … Continued

Marlow Film Studios urged not to appeal council refusal
12 Jun 2024

Marlow Film Studios urged not to appeal council refusal

by Bolaji O | posted in: All News, Conflict, Government, Studios, UK | 0

The CEO of Marlow Film Studios has said he is ‘considering next steps’ after the plans were refused by Buckinghamshire Council – but locals are urging him to throw in the towel and draw a line under the ‘sorry episode’. Source: … Continued

The Biggest Announcements Of Summer Game Fest And Neighboring Shows
12 Jun 2024

The Biggest Announcements Of Summer Game Fest And Neighboring Shows

by Bolaji O | posted in: All News, Game Industry, Games Festival, Gaming | 0

E3 is no more, but in its place a new different kind of summer video game show has emerged. It’s Summer Game Fest… and friends? Geoff Keighley’s show has become an anchor of sorts for the whole thing, but there … Continued

‘The Apprentice’ Can’t Find U.S. Distributor: Is Hollywood Afraid?
12 Jun 2024

‘The Apprentice’ Can’t Find U.S. Distributor: Is Hollywood Afraid?

by Bolaji O | posted in: All News, Cinema | 0

As the Trump biopic ‘The Apprentice’ struggles to land U.S. distribution, insiders point to a broad climate of reluctance to pick up polarizing real-world titles. Source: ‘The Apprentice’ Can’t Find U.S. Distributor: Is Hollywood Afraid?

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