formerly Mad Cornish Projectionist.
The US streamers are seeking an amendment to a government decree which, since 2021, has required foreign video platforms to finance French audiovisual production and cinema with a slice of their revenue. Source:https://www.france24.com/en/live-news/20260706-netflix-disney-amazon-appeal-french-investment-rules
“He has consistently argued that Manchester should be viewed as a genuine competitor to London for television and film production, and the new Production Fund is the latest example of that ambition translating into action.” Source: https://www.rsmuk.com/news/could-andy-burnham-premiership-bring-boost-to-uk-tv-film-industry
As entertainment companies search for new ways to monetize valuable intellectual property, a rapidly growing category of immersive and spatial entertainment is forcing studios, lawyers and talent representatives to reconsider long-established assumptions about copyright, licensing and distribution rights. Source: https://www.pymnts.com/cpi-posts/immersive-franchise-experiences-create-new-legal-questions-for-hollywood-ip-owners/
Casting shifts to EU talent as paperwork delays and visa limits make hiring British crews less viable. Source: https://www.theguardian.com/politics/2026/jun/01/creative-industries-brexit-barriers-uk-actors-eu-jobs
The funding will support a wide range of audience-focused initiatives, including cinemas, festivals, and distribution projects aimed at increasing engagement with independent and international film. Source: https://news.fundsforngos.org/2026/04/15/bfi-invests-9-25-million-to-boost-uk-film-audiences-and-screen-culture/