formerly Mad Cornish Projectionist.
Although this is not a debate, at least not for our readers, it constitutes a pretty intriguing discussion. A fairly educating visualization was crafted by using multiple recourses (Idc, CIPA Japan, Gartner, and Canalys) by YT user James Eagle, which … Continued
When shooting for IMAX, most of the time he production won’t shoot the entire film on 15-perf, because it’s hard. For instance, in NOPE, ’only’ 48 minutes of footage in the two-hour movie was shot on IMAX cameras —All the … Continued
Sony has just introduced the VENICE Extension System 2, which increases flexibility with 8K data transmission and extends up to 12 meters away from the camera body. Furthermore, VENICE 2 Version 2.00 Firmware Update will be released in 2023. Source: … Continued
Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with 1.5x extender engaged). Moreover, the lens is the … Continued
What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many patents are involved? Can RED win? Let’s talk … Continued
Soon, DJI is going to announce a very cool product. That would be a CineWhoop version of its FPV drone (a Mini FPV) titled AVATA. Although leaks are everywhere, the question remains, what is it good for? Will the AVATA … Continued