Digital Cinema

The first Komodo was born as a valid need to replace GoPro cameras. RED Digital Cinema’s goal was to develop an action/crash cam that can be utilized for the big screen. Of course, there’s GoPro. However, investigations showed that the … Continued

What’s the goal of the newly announced RED Komodo-X? We all know the purpose of the 1st Komodo (Baby Dragon/RED’s first action cam/crash cam). However, the new Komodo-X seems a bit tricky to define. Source: RED Komodo-X: From Crash-Cam to … Continued

An educational gem was discovered in the World Wide Web. We found The 15/70 Filmmaker’s Manual written in 1999. However, many of its topics are super relevant today and essential for those who are keen to shoot with IMAX cameras. … Continued

The champion of lens metadata — Cooke Optics, has partnered with EZtrack — a company that specializes in CG (Computer Generated) tracking, in order to facilitate CG workflow. The goal is to grant the director the CG elements in NRT … Continued

One of the most acclaimed cameras is being listed for sale by ARRI CPO (Certified Pre-Owned). Obviously, we are referring to the ARRIFLEX 435 Extreme, which has a place of honor by dedicated filmmakers. The price is $21,000. Would you … Continued

Atlas announces a price increase for some lenses in the Orion series. For 40mm, 50mm, 65mm, 80mm, and 100mm Orion Series focal lengths, single lenses will increase to $9,995 each (from $8,999). This is a major price increase. However, there … Continued